Vascular Necrosis – a Queer Zombie Love Story

by Rebecca Bollwitt Monday, September 14th, 2026 — 9:13am PDT

Touchstone Theatre launches its 2026–2027 season with the world premiere of Vascular Necrosis, a dark comedy by Flying Start Playwright-in-Residence Jordyn Wood – and you can enter to win tickets!

Touchstone Theatre and Glitch Theatre Present Vascular Necrosis

Dates: October 7–18, 2026
Location: The NEST on Granville Island (1398 Cartwright St 3rd Floor, Vancouver)
Tickets: Available online now from $20-$35
- Post Show Talkback on Tuesday, October 13 (Q&A with cast and crew)

This Touchstone Theatre and Glitch Theatre co-production blends zombie lore, queer romance, and dark comedy, turning the post-apocalyptic genre inside out. As Penelope (Gabrielle Nebrida-Pépin) navigates the uneasy territory between her former life and the afterlife she has come to inhabit, the play asks what it means to choose life in a world shaped by trauma, uncertainty, and profound change.

“At its core, Vascular Necrosis invites audiences into a conversation about life itself: why we are here, and why we might choose to stay or not to stay,” says Lois Anderson, Touchstone Theatre Artistic Director. “Jordyn Wood has crafted a queer zombie love story at a moment of great precarity for the human species. With extraordinary emotional depth and humour, the piece considers hope and mental health in a time of global trauma.”

Vascular Necrosis comes out of Flying Start, Touchstone’s incubator program for early-career artists. It represents the culmination of a development process designed to take new work from its earliest stages to full-scale production. The program reflects Touchstone’s commitment to championing emerging Canadian and Indigenous voices and creating pathways for new plays to reach the stage.

For Wood, zombie mythology provides an unexpected lens through which to examine some very human questions: What makes a life worth living? What happens when the world we return to no longer feels like home? And what does hope look like when “getting back to normal” is no longer possible?

“At Touchstone we are interested in stories which consider what it is to be human, and what values we are prioritizing as we rattle forwards into the future,” says Anderson. “Vascular Necrosis looks at depression, trauma, disability, and queerness through zombie lore and end-of-the-world narratives. It asks why we might choose life on this planet and how that decision is entangled with both hope and despair.”

Funny, unsettling and deeply human, Vascular Necrosis puts a fresh spin on the zombie apocalypse, exploring what it means to rebuild a life in the aftermath of trauma.

Creative Team

Playwright:  Jordyn Wood
Director:  Daniela Atiencia
Performers:  Gabrielle Nebrida-Pépin, Evelyn Chew, Marguerite Hanna, Brynna Drummond, and Terrence Zhou
Set Design: Paula Viitanen Aldazosa
Costume Design: Emily Friesen
Lighting Design: Jonathan Kim
Sound & Video Design: David Mesiha
Stage Manager: Julia Lank
Apprentice Stage Manager: Claire Brown
Production Manager: Kayleigh Sandomirsky
Technical Director: Jack Chipman
Intimacy Director: Lisa Goebel
Producers: Touchstone Theatre & Glitch Theatre

About the Playwright

Jordyn Wood is a Vancouver-based playwright, theatre artist, and producer. Their practice has been intentionally varied, jumping from devising to playwriting to directing to curating and producing. Their written work negotiates the line between autobiography and fiction, refracting lived experience through science fiction and horror genres in service of a search for the self. Influenced by their intersections of queerness, chronic illness and mental health disability, their work poses the question: how do you find belonging in a world you never felt a part of? They hold a Bachelor of Fine Arts degree from SFU’s School of Contemporary Arts in the Theatre Performance stream. Recent playwriting credits include Vascular Necrosis, (presented as staged readings by Glitch Theatre in 2024 and rEvolver Festival 2023), Dry Rot (Or Festival 2022), and Grounded (Calgary Young People’s Theatre 2017).