This week, Vancouver Opera presents the last three performances of Die Fledermaus (The Bat), the Austrian operetta composed by Johann Strauss Jr., adapted by UBC’s Nancy Hermiston to include theatrical dialogue in English with timely or local references. Eisenstein (Roger Honeywell) is dismayed to find that a disguised Rosalinde (Joyce El-Khoury) has his watch. Photo […]
Archive for the category "michellekim"
After our heavily caffeinated drive from Vancouver to Seattle, and after quickly taking in our room’s stunning 10th floor ocean-front view as the light change across the Pacific Northwest sky, Rebecca and I were quickly whisked downstairs to the hotel spa for some much needed rest and relaxation. A girls getaway isn’t complete and without […]
Canada’s Royal Winnipeg Ballet’s Nutcracker, presented by Ballet BC, is a beautiful, big-hearted performance that retains aspects from the original’s German and Russian traditions, while being very relevant to a Vancouver audience by being set in Canada, at the turn of the 20th Century, just before WWI. Photo courtesy of Ballet BC. RWB Company Photo […]
No. 29 is the opening performance of Ballet BC’s 29th season and by far its most risk-taking performance ever, which says a lot. Every season, Artistic Director Emily Molnar and the company of dancers collaborate with the most exciting and boundary-pushing choreographers around the world, leaving me in awe after every performance. This year, the […]
On Thursday night Ballet BC, in collaboration with Turning Point Ensemble, presented the first of three performances of Grace Symmetry at the Queen Elizabeth Theatre. The performance features live music by Turning Point Ensemble, a local chamber ensemble whose repertoire specializes in music composed in the past 100 years and who is known for its […]